Normandy Coast
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About 1870 Martin began to shed the early influence of the Hudson River School on his art in favor of the less detailed and looser manner of the French Barbizon school, an informal network of mid-nineteenth-century artists who practiced plein air painting in the Forest of Fontainebleau, near Barbizon. Martin himself sketched around Barbizon in 1876 and later returned to France for an extended stay in Villerville, where he executed remarkably fresh, freely brushed outdoor paintings such as this one.Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
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