Jammin In Jamaica - The History Of Jamaican Dub Music
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Around the explosive,
political and musically transitional period of the late '60s, America, Jamaica
and England were affected by a new production technique that first reared its
head in Jamaican studios. Special effects units like delays, echoes, and
reverbs had gained popularity through producers like Osbourne (King Tubby)
Ruddock, who owned a sound system and cut acetates at Duke Reid's Treasure Isle
Studio. By accidentally leaving out parts of the vocal mix to a song, Ruddock
stumbled upon a new formula that offered more options for performing studio
magic. He took this new mix with him to a dance, and played the recognizable
version first. Then he played his 'accident,' and the dub mix was born. Not
only did he blow the people away that night; he ran back into the studio to do
it again.
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