墓からの逃走

TAGS：

無料の画像「Flight from the Grave」を GIMP オンライン エディター用にダウンロードまたは編集します。これは、Inkscape オンライン、OpenOffice Draw オンライン、または OffiDocs の LibreOffice オンラインなど、OffiDocs の他のグラフィック エディタまたはフォト エディタで有効なイメージです。

No Need for a Time Machine

ロバート・J・ホーガンの最後の言葉を読んだところで、 墓からの逃走 静かなところで
該当する6月号 G-8と彼の
バトルエース この暑い6月の夜、この読者はある夜にタイムスリップします。
60年前、同じように暑い6月の夜、私は上から自分自身を見た
薄暗い道を歩いていると ホーム、
ディックの古本で購入したパルプの束を腕に抱きしめながら作りました
街灯と店先の光の中で、屋根裏のアパートに向かう私の五月
ページをめくると最高の喜びが見つかるセカンドストリートが私を待っています。ある
やや ラスコーリニコフ エンクロージャ付き
傾斜した天井、貧弱な家具、そしてページが眠る魔法の簡易ベッド
夢想を誘う。ベッツィーが正時にそんなことを教えてくれるとは思いもしませんでした
真夜中の12時、生者は眠りのうちに死に、死者は目覚める。そして、私の死んだ
天井の石膏の渦で満たされた目は、まるで生きているかのように生き生きとしています。
ずっと前に。

このような状態では、人は一人で取り残され、唯一連絡を取るのは、
冷たく湿った空気、ハードなストリート、そして徐々に衰退していくステージ
頭上は真っ暗で、星々が薄暗い蒸気の中に消えていく。バラエティーの横を通ります
店（今はもうなくなってしまった）と正面玄関で立ち止まり、ドアを開けると、
長い階段を登り、くぐもった足取りで部屋の入り口までとぼとぼと歩いた。
テーブル代わ​​りの木箱の上に置かれた私の簡易ベッドの横に、他の人のパルプが置かれています。
夜は今では別の助けを提供していますが、それでも永遠に大切にされています。私は
16 歳、高校の最終学年を終え、教師が教育を提供する
経験したことのない世界を垣間見たので、作る思い出がない
私が勉強していることの感覚。その先には、すべてが異なる深淵が潜んでいます。私
果肉はゴミだと言われています。それでも私はそれらの効果を切望しています
こんな夜には。永久に消えてしまうかもしれない効果を節約するには
そんな金曜日の夜。たった一つの窓からは暗闇が見える
近所の建物や通りは、常に記憶の中で再現されます。
その上;それから私のベッドに行き、 脱出
他人の繰り返しの世界から、誰かが作り出す特別な世界へ。
パルプの奇跡の起源の中心地であるニューヨークに集まった1,000人のうちのロバート・J・ホーガンと他の数人の神秘性。もうすぐ彼とあの世界
わずかに残っている、崩壊する果肉の魔法によって再作成されることを除いて、同様に失われます。

こうして作られた心の状態は、夕方になるにつれて徐々に発達していきます。
進歩し、意識的な心は後退します。そして影から、具体的で強烈に個人的な世界が忍び寄ってきます。 ME。 ディックが地下貯蔵庫から提供したパルプは独特です
\u2013 本の感触、印の魅惑、パルプの匂い
論文、今後の号の広告や勧誘などが見られます。
他にはどこにもありません。それらは、この特別な精神状態を引き起こすためのお土産です。
魅惑。確かに、Time Machine は必要ありません。

この夜、1 年 1937 月 XNUMX 日号の記事がどれほど効果的だったか、 G-8と彼のバトルエース、 特に
ホーガンさん、 墓からの逃走 　
74ページの長編小説？ （私の英語教師がそうするだろうかと思います）
それを小説と呼びます。）

How successfully does Hogan execute this novel? Would it
compare well with what teachers considered カタログ
in the sense of Jane Austen? Fyodor Dostoyevsky? Charles Dickens? Or even the
most exalted Shakespeare? Here is a summary obtained from a yellowed, pocket-sized
volume provided by Dick\u2019s Cellar Repository. According to Gerald E. SeBoyar,
professor of literature at New York University in his 文学の概要 published in 1929, the characteristics and
appeal of the "narrative" can be examined beginning with the earliest
of childhood experiences. They include: Entertainment from a Romantic or real
perspective, vivid presentation of the actions of interesting people, an
extensive view of life informing of the conditions of life in former times,
views of places we may never visit, valuable friends who are more real than
those we actually live with, emotional appeal, with sufficient imaginative
identification with the principal characters and to live vicariously through them;
and finally, the readers finds incorporated the ideas of that time by which
that reconstruction can be achieved. SeBoyar's outline from 1929 might well
summarize the attitudes of education of the thirties and forties when pulp
magazines flourished.

One limitation of such a standard is that of necessity an
author presents one or limited number worldviews; and thus, the world is made
smaller. Without such a restriction the world appears limitless. Here in my
garret I am free of all restrictions.

Hogan, writing in the late 1930\u2019s describes fictional events
of the First World War, principally from the view of the Air Forces of the
countries involved.

The letter columns in issues of G-8 and his Battle Aces 含む
notes, some complimentary and other less so from young readers; the
critical comments complain the action is too 遠方. Each writer is supposed to form a Squadron of five
members purchasing his own copy each month (a clever circulation increasing
device?). Is this requirement and other actions in the stories too farfetched?

According to G-8 and his fellow fliers Nippy and Bull the
War has turned dull \u2013 skilled German fliers have all been killed and the
remaining exhibit few or no challenging skills. G-8 and his pals expect an
eminent armistice called for by the Germans in their exhaustion. Have they
forgotten the resilience of German Science and National Character \u2013 or the more
神秘的な German Rage?

Out of the night sky, large numbers of German bombers appear
over the Front, bombing everything in sight including large districts of Paris.
G-8 envisions the French might call for surrender. The oddest part of the
scenario is that the pilots of the bombers are all rotting cadavers on which
fire and bullets have little effect. So, G-8 launches an investigation bringing
him into contact with the German territories where the conjuring is going on.

He finds that a Voodoo Priest has been imported from Haiti
to revive corpses of German aces as Zombies so that the war effort can
continue; a curious case of a Secret Weapon? Is this too farfetched?
Considering what occurred in the following War, one might stop to think.

Before you decide read carefully pages 37-68 at least
several times where Hogan employs the quintessential terse wording of the pulps
to create G-8\u2019s exploits among the German population \u2013 captivating scenes among
memorable people and places, burned into the memory by G-8\u2019s merciless
treatment of adversaries \u2013 where, for example he presses a pistol to the skull
of a cooperating German lieutenant and with a single shot kills him. His excuse? \u201cHe would have killed me.\u201d

Where did Hogan get the inspiration for the zombie scenario?
On page 15 of the story, Bull tells of a cousin who wrote a book including the
story of a man who revived zombies from a graveyard to work by night in his
sugar cane mill. In fact, it seems more likely Hogan took inspiration from the
1932年の映画、 WHITE ZOMBIE, where Bela
Lugosi portrays a Voodoo mystic involved n the same activity. The film today is
considered a \u201cminor classic.\u201d One must not forget the Germanic novel, フランケンシュタイン in
which scientific attempts are made to revive dead bodies. The author, Mary
Shelly may have been inspired by Humphrey Davy and his philosophy that God had
left the world incomplete for man to finish. Given the modern advances in
biochemistry, are any similar experiments going on secretly in university labs
today? Voodoo is simply a metaphor for all revival experiments.

As I lie here on my cot, the hour now 12:30, I wonder if
these arguments would go over well in an English class? From prior experience,
the answer is almost certainly, \u201cNo!\u201d

Do not bring an admired art into the abomination of a
classroom \u2013 especially in the case of a revered novel. The cold, hard outlines
of the physical structure will accomplish nothing more than smothering refined,
personal admiration where yawning students and formulated academics take on the
role of poor actors repeating opinions garnered from other academics often wide
of the author\u2019s intentions as experienced by the novice. And here their
substitutes are intended to elevate themselves propped up by illusions any
other persons with originality would not discover based on personal experience.

According to the Bayesian Probability Construct humans
learn by the accumulation of \u201cpriors\u201d (previous experiences) stored
subconsciously within the brain to be called upon in the calculation of the
probabilities of outcomes in situation calling for resolution. What such priors
are, and the procedures by which probabilities are calculated evade the purview
in ordinary academic situations simply because teachers are unaware of them.
These logical procedures have been genetically implanted by eons of evolution
and are not amenable to alteration. Conscious experience is manufactured from
the priors and the \u201cinstinctive\u201d functions of the human brain in a series of
\u201cnow moments\u201d each lasting two to three seconds and are anything but orderly
and predictable, giving rise to new conceptions and thus, \u201ccreativity.\u201d Such
experiences result from global changes in brain areas rather than synaptic
alterations within single neurons.

だから、で Flight from the
Grave, by Robert J. Hogan all comes out well in the end, \u201conly Germans are
killed.\u201d G-8 and his buddies make it
home. Perhaps the little \u201cfarfetched\u201d friends of G-8 were wrong. The story
works its magic outside the procedures of usual secondary English education.
When the pulp novels were written almost 100 years ago millions read them, and
they still do - maybe, not in the millions, but our friends at Adventure House
are still making delightful facsimile editions for new readers seeking the
benefits of personal, imaginative thought, that their English teachers would
not approve of.

As is the case of many successful pulp writers (including
E.R. Burroughs, and Lester Dent, among other examples) Hogen worked a variety of
jobs in his life yielding authenticity to his writing; including, work on
ranches, in music, design and building of houses and leather goods, sports of
football and boxing, flight training, plane design and sales, knew individuals
who had exploits in Europe during the War who inspired him with tales and the
essences of characters, trained in secondary and several university educational
institutions, before entering the business of pulp writing in a variety of
subject matters. Needless to say, Hogan was imaginative and that faculty had an
abundance of experience his fancy could call upon for creating appealing
characters and situations in his writing.

As I lay here in my garret apartment these ideas floating
above my head the issue of G-8と彼の
バトルエース resting on my chest, I realize I have been talking to myself in
preparation for the rare treat of reading some \u201cfarfetched literature\u201d
providing substitute life experiences. A good thing to say the least! What will
be the fate of my buddies in future pulps dredged from the cellar of Dick\u2019s
Used Books to be carried home furtively through the darkness of the empty
streets? Then, which swirls in the ceiling plaster will be decoded that night?

G-8 and his pals are something unique among the pulps. Unique
things have the insurmountable property of evading averages and common features
do not apply to them. Unique. No need of a Time Machine. Sorry, Bertie.

\u201cYour Old buddy,

ウィズバン!!\u201d

フリー写真 OffiDocs Web アプリと統合された墓からの飛行