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Transformed, we find ourselves breathing as if by the ocean where we birthed. [...] in a study of a daughter bemoaning the state of a mother firmly in dotage and decline, Mary McCullough writes a masterful portrait of the matriarchal shadow the mother is now in "Assurance": hands that once braided my hair rest in mother's lap she sits in a chair placed against a drab hospital wall, converses in monotones with her invisible listeners. i search for a niche in her flatness, proof of her former wholeness. i, a nonbeliever, address the guardian angels of mothers and daughters, pray for a miracle, let her remember my name.
Thursday March 8, 2012
"The Bones We Carry:
Poems and Short Prose
by the Streetfeet Women"
By Chris Fadala, Beatrice Greene, Elena Harap,
Mary Millner McCullough,
Li Min Mo and Aura Sanchexz.
Streetfeet Press,
Somerville, Mass
The Streetfeet Women is a group that was founded in Boston in 1982 by Somerville resident Mary McCullough and Elena Harap.
It is a collective formed to create works celebrating the way ordinary women live their lives. In this collection by the Streetfeet women, "The Bones We Carry," there is poetry and prose by Chris Fadala, Beatrice Greene, Elena Harap, Mary McCullough, Li Min Mo and Aura Sanchez. The arresting cover image titled "Night Rider" was created by Bagel Bard Li Min Mo, and included is artwork from Veronique Epiter. This is an anthology that has veteran writers who have perfected their craft over the years. Being a poet more than anything else, I chose to focus on a sampling of poems.
Li Min Mo's "Old Woman" captures an artist staring at her own face and wondering about the passage of time -- the way it becomes chiseled in one's face:
staring at the mirror:
what's behind this old face?
lines, discolor of age,
old tree bark, my cheeks; ...
hollows, bags, crow's feet,
disappearing eyebrows, lips,
the neck's fold, three or four times,
because old age just can't decide on one idea of a portrait.
Mo points out later that the vessel may be old but "one arm dances with sunlight and the other still wraps/around the moon."
Being a fan of Jazz, and an admirer of John Coltrane, I enjoyed Beatrice Greene's "Jazz: Listening to Dr. John Coltrane." Greene examines the transforming aspect of the music and the effect it has on the listener:
You move in suspended time and space
Reconfiguring our
electromagnetic essence.
Our minds, bodies, spirits enraptured;
sometimes dancing,
sometimes in meditative
stillness.
Transformed, we find ourselves
breathing as if by the ocean
where we birthed.
And in a study of a daughter bemoaning the state of a mother firmly in dotage and decline, Mary McCullough writes a masterful portrait of the matriarchal shadow the mother is now in "Assurance":
hands that once braided
my hair
rest in mother's lap
she sits in a chair
placed against a drab hospital wall,
converses in monotones
with her invisible listeners.
i search for a niche in her
flatness,
proof of her former wholeness.
i, a nonbeliever,
address the guardian angels
of mothers and daughters,
pray for a miracle,
let her remember my name.
Note: Elena Harap Dodd will give a talk "Giving Birth To A Book," at Putney Public Library, on Tuesday, March 13, at 7 p.m. The talk is free and open to the public. Books will be available for purchase at the talk and at Everyone's Books in Brattleboro.
Review by Doug Holder, reprinted with permission from his blog post of Sept. 21, 2010, at dougholder.blogspot.com/2010/01/bones-we-carry-poems-and-short-prose-by.html.
For Love of Books is a column written by readers of notable books which may be found in local bookstores and libraries.
Credit: By DOUG HOLDER
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