La Madonna Riposata
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In the first two years of Cameron\u2019s photography, religious themes held an important place alongside portraiture. The remarkably expressive and emotionally versatile Mary Hillier was often cast as the Virgin Mary, costumed and posed in scenes reminiscent of Italian painting. The close physical and spiritual bond of mother and child that is illustrated so vividly in these pictures may have been especially poignant for Cameron. She was, after all, given her first camera at Christmas 1863 by her daughter and son-in-law as they moved away and left this mother of six, in today\u2019s vernacular, an \u201cempty nester.\u201dFree picture La Madonna Riposata integrated with the OffiDocs web apps