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ืคืกื˜ื™ื‘ืœ ื”ืกืจื˜ื™ื ืฉืœ ืžื™ื ื›ืŸ ืคืกื˜ื™ื‘ืœ ื”ืกืจื˜ื™ื M\u00fcnchen Superhuman Magn

ื”ื•ืจื“ื” ื—ื™ื ื ืฉืœ ืคืกื˜ื™ื‘ืœ ื”ืกืจื˜ื™ื ืฉืœ ืžื™ื ื›ืŸ Filmfest M\u00fcnchen ื”ืื“ื ื”ืžื’ื ื˜ื™ ื”ืขืœ ืื ื•ืฉื™ ืžื™ืจื•ืกืœื‘ ืžื’ื•ืœื” ืชืžื•ื ื” ืื• ืชืžื•ื ื” ื‘ื—ื™ื ื ืœืขืจื™ื›ื” ืขื ืขื•ืจืš ื”ืชืžื•ื ื•ืช ื”ืžืงื•ื•ืŸ GIMP

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ืชื’ื™ื•ืช

ื”ื•ืจื“ ืื• ืขืจื•ืš ืืช ื”ืชืžื•ื ื” ื”ื—ื™ื ืžื™ืช ืฉืœ ืคืกื˜ื™ื‘ืœ ื”ืกืจื˜ื™ื ืฉืœ ืžื™ื ื›ืŸ Filmfest M\u00fcnchen Superhuman Magnetic Man Miroslaw Magola ืขื‘ื•ืจ ืขื•ืจืš ืžืงื•ื•ืŸ GIMP. ื–ื•ื”ื™ ืชืžื•ื ื” ืฉืชืงืคื” ืขื‘ื•ืจ ืขื•ืจื›ื™ ื’ืจืคื™ืงื” ืื• ืชืžื•ื ื•ืช ืื—ืจื™ื ื‘-OffiDocs ื›ื’ื•ืŸ Inkscape online ื•-OpenOffice Draw online ืื• LibreOffice ืžืงื•ื•ืŸ ืฉืœ OffiDocs.

ืคืกื˜ื™ื‘ืœ ื”ืกืจื˜ื™ื ื”ื‘ื™ื ืœืื•ืžื™ ืฉืœ ืžื™ื ื›ืŸ \u2013 ืจืืœืฃ ืคื™ื™ื ืก \u2013 ืื ื˜ื•ื ื™ื• ื‘ื ื“ืจืก \u2013 Mads Bรผgger \u2013 Bong Joon-ho \ubd09\uc900\ud638

ืคืกื˜ื™ื‘ืœ ื”ืกืจื˜ื™ื ื”ื‘ื™ื ืœืื•ืžื™ ืฉืœ ืžื™ื ื›ืŸ (ื‘ื’ืจืžื ื™ืช: Filmfest Mรผnchen) ื”ื•ื ืคืกื˜ื™ื‘ืœ ื”ืกืจื˜ื™ื ื”ืงื™ืฅ ื”ื’ื“ื•ืœ ื‘ื’ืจืžื ื™ื” ื•ื”ืฉื ื™ ืจืง ื‘ื’ื•ื“ืœื• ื•ื‘ื—ืฉื™ื‘ื•ืชื• ืœื‘ืจืœื™ืŸ. ื”ื•ื ืžืชืงื™ื™ื ืžื“ื™ ืฉื ื” ืžืื– 1983 ื•ืžืชืงื™ื™ื ื‘ืกื•ืฃ ื™ื•ื ื™. ื”ื•ื ืžืฆื™ื’ ืกืจื˜ื™ื ืขืœื™ืœืชื™ื™ื ื•ืกืจื˜ื™ื ืชื™ืขื•ื“ื™ื™ื ืืจื•ื›ื™ื. ื”ืคืกื˜ื™ื‘ืœ ื’ื ื’ืื” ื‘ืชืคืงื™ื“ ืฉื”ื•ื ืžืžืœื ื‘ื’ื™ืœื•ื™ ื™ื•ืฆืจื™ ืงื•ืœื ื•ืข ืฆืขื™ืจื™ื ืžื•ื›ืฉืจื™ื ื•ื—ื“ืฉื ื™ื™ื. ืœืžืขื˜ ืจื˜ืจื•ืกืคืงื˜ื™ื‘ื•ืช, ืžื—ื•ื•ืช ื•ื”ื•ืžืื–'ื™ื, ื›ืœ ื”ืกืจื˜ื™ื ื”ืžื•ืงืจื ื™ื ื”ื ื‘ื›ื•ืจื” ื’ืจืžื ื™ืช ื•ืจื‘ื™ื ืžื”ื ื‘ื‘ื›ื•ืจื” ืื™ืจื•ืคืื™ืช ื•ืขื•ืœืžื™ืช.

ืขื ืœืžืขืœื” ืž-200 ืกืจื˜ื™ื ืขืœื™ืœืชื™ื™ื ื•ืกืจื˜ื™ื ืชื™ืขื•ื“ื™ื™ื ืืจื•ื›ื™ื ื‘ื™ื•ืชืจ ืž-18 ืžืกื›ื™ื, Filmfest Mรผnchen ืžื•ืฉืš ืืœื™ื• ื›-80 ื—ื•ื‘ื‘ื™ ืกืจื˜ื™ื ืžื“ื™ ืฉื ื”. ื”ื•ื ืžืืฉืจ ื™ื•ืชืจ ืž-000 ื—ื‘ืจื™ื ื‘ืขื™ืชื•ื ื•ืช ื•ื‘ืชืงืฉื•ืจืช ื”ื‘ื™ื ืœืื•ืžื™ืช, ื›ืžื• ื’ื ืœืžืขืœื” ืž-600 ืื ืฉื™ ืžืงืฆื•ืข ื‘ืชืขืฉื™ื™ืช ื”ืงื•ืœื ื•ืข. ื–ื” ืชืžื™ื“ ื”ื™ื” ืžืงื•ื ืžืคื’ืฉ ืคื•ืคื•ืœืจื™ ืœืžืงื•ืจื‘ื™ื ื‘ืชืขืฉื™ื™ื” ื‘ืจื—ื‘ื™ ื’ืจืžื ื™ื” ื•ืื™ืจื•ืคื”. ืžืจื›ื– ื”ืคืกื˜ื™ื‘ืœ ืžืžื•ืงื ื‘ืžืจื›ื– ื”ืชืจื‘ื•ืช ืฉืœ ืžื™ื ื›ืŸ Gasteig, ืฉื ืžืชืงื™ื™ืžื™ื ื”ืงืจื ื•ืช, ืคืื ืœื™ื, ื˜ืงืกื™ื ื•ื“ื™ื•ื ื™ื ื•ืžืžื•ืงืžื™ื ืžืฉืจื“ื™ ื”ืคืกื˜ื™ื‘ืœ. ื™ืฉื ื ืžืกืคืจ ื‘ืชื™ ืงื•ืœื ื•ืข ืžืฉืชืชืคื™ื ื‘ืื–ื•ืจ ืžืจื›ื– ื”ืขื™ืจ.

ื”ื‘ืžืื™ืช ืฉืœ Filmfest Mรผnchen ื”ื™ื ื“ื™ืื ื” ืื™ืœื’'ื™ืŸ, ืฉื ื›ื ืกื” ืœืชืคืงื™ื“ื” ื‘ืื•ื’ื•ืกื˜ 2011. ื”ื‘ืžืื™ื ืœืฉืขื‘ืจ ื”ื ืื ื“ืจืืก ืกื˜ืจื•ื”ืœ (2004-2011) ื•ืื‘ืจื”ืจื“ ื”ืื•ืฃ, ืฉื ื™ื”ืœื• ืืช ื”ืคืกื˜ื™ื‘ืœ ืžืจืืฉื™ืชื•. ื”ืคืกื˜ื™ื‘ืœ ืžืชืืจื— ืขืœ ื™ื“ื™ Internationale Mรผnchner Filmwochen GmbH, ืฉื‘ืขืœื™ ื”ืžื ื™ื•ืช ืฉืœื” ื”ื ืขื™ืจื™ื™ืช ืžื™ื ื›ืŸ, ืžื“ื™ื ืช ื‘ื•ื•ืืจื™ื” ื”ื—ื•ืคืฉื™ืช (ื ืฉื™ื ื‘ื•ื•ืืจื™ื”, ืžืจืงื•ืก ืกื•ื“ืจ), ื”-Bayerischer Rundfunk (ื”ืฉื™ื“ื•ืจ ื”ื‘ื•ื•ืืจื™, ื”ืžื™ื•ืฆื’ ืขืœ ื™ื“ื™ ื”ื‘ืžืื™ ืื•ืœืจื™ืš ื•ื™ืœื”ืœื) ื•ื”-SPIO (ื”ื’ืจืžื ื™ืช). ืื™ื’ื•ื“ ืชืขืฉื™ื™ืช ื”ืงื•ืœื ื•ืข ื”ืžื™ื•ืฆื’ ืขืœ ื™ื“ื™ ืชื•ืžืก ื ื’ืœื”. ืงืจืŸ ื”ืžื˜ื‘ืข ื”ื‘ื™ื ืœืื•ืžื™ืช ืžืืจื—ืช ื’ื ืืช ื”ืคืกื˜ื™ื‘ืœ ื”ืฉื ืชื™ ืฉืœ ื‘ืชื™ ืกืคืจ ืœืงื•ืœื ื•ืข (ื‘ื’ืจืžื ื™ืช: Internationales Festival der Filmhochschulen Mรผnchen) Filmschoolfest ื‘ื ื•ื‘ืžื‘ืจ.

ื”ืฉื ื”, ืฉื ื™ ื›ื•ื›ื‘ื™ ื”ื•ืœื™ื•ื•ื“ ืงื™ื‘ืœื• ืืช ืคืจืก CineMerit:

ื”ื‘ืจื™ื˜ื™ ืจืืœืฃ ืคื™ื™ื ืก ื”ืฆื™ื’ ื‘ืžื™ื ื›ืŸ ืืช ืขื‘ื•ื“ืช ื”ื‘ื™ืžื•ื™ ื”ืฉืœื™ืฉื™ืช ืฉืœื• \u201cNurejew \u2013 The White Crow\u201d, ืฉื‘ื” ื”ื•ื ื’ื ืžืฉื—ืง ืืช ื”ืชืคืงื™ื“ ื”ืจืืฉื™ ืฉืœ ืืžืŸ ื”ื‘ืœื˜ ืืœื›ืกื ื“ืจ ืคื•ืฉืงื™ืŸ.

ื”ืฉื—ืงืŸ ื”ืกืคืจื“ื™ ืื ื˜ื•ื ื™ื• ื‘ื ื“ืจืก ื‘ืคืกื˜ื™ื‘ืœ ื”ืกืจื˜ื™ื ืฉืœ ืžื™ื ื›ืŸ, ื”ื•ื ื”ืฆื™ื’ ืืช ื”ืกืจื˜ ื”ื—ื“ืฉ ื‘ื‘ื™ืžื•ื™ื• ืฉืœ ืคื“ืจื• ืืœืžื•ื“ื•ื‘ืจ ืกื‘ืœ ื•ืชื”ื™ืœื”, ืฉืขืœ ืชืคืงื™ื“ื• ื”ืจืืฉื™ ื”ื•ืขื ืง ื‘ื ื“ืจืก ื–ื” ืขืชื” ื‘ืคืกื˜ื™ื‘ืœ ืงืืŸ ื‘ืคืจืก ื”ืฉื—ืงืŸ ื”ื™ื•ืงืจืชื™.

ื‘ื•ื ื’ ื’'ื•ืŸ-ื”ื• (ื‘ืงื•ืจื™ืื ื™ืช: \ubd09\uc900\ud638, ื”ื•ื ื‘ืžืื™ ื•ืชืกืจื™ื˜ืื™ ื“ืจื•ื ืงื•ืจื™ืื ื™ ืฉืกืจื˜ื™ื• ื›ื•ืœืœื™ื ืืช ื“ืจืžืช ื”ืคืฉืข Memories Of Murder (2003), ืกืจื˜ ื”ืžืคืœืฆื•ืช ื”ืžืืจื— (2006) ื•ืกืจื˜ ื”ืคืขื•ืœื” ื”ืžื“ืข ื”ื‘ื“ื™ื•ื ื™ Snowpiercer (2013), ื›ืืฉืจ ืฉื ื™ ื”ืื—ืจื•ื ื™ื ื”ื™ื• ื‘ื™ืŸ ื”ืกืจื˜ื™ื ื”ืžืจื•ื•ื™ื—ื™ื ื‘ื™ื•ืชืจ ื‘ื›ืœ ื”ื–ืžื ื™ื ื‘ื“ืจื•ื ืงื•ืจื™ืื”. ื”ื™ื• ืœื• ืฉื ื™ ืกืจื˜ื™ื ื‘ืชื—ืจื•ืช ื‘ืคืกื˜ื™ื‘ืœ ืงืืŸ: Okja, ืฉืขืœื” ืœืจืืฉื•ื ื” ื‘ืคืกื˜ื™ื‘ืœ ืงืืŸ 2017, ื•ื˜ืคื™ืœ, ืฉื–ื›ื” ื‘ื“ืงืœ ื”ื–ื”ื‘ ื‘ืคืกื˜ื™ื‘ืœ ืงืืŸ 2019. ื”ื•ื ื”ืคืš ืœื‘ืžืื™ ื”ืงื•ืจื™ืื ื™ ื”ืจืืฉื•ืŸ ืฉื–ื›ื” ื‘ืคืจืก.

ื‘ืฉื ืช 2017, Metacritic ื“ื™ืจื’ ืืช ื‘ื•ื ื’ ื‘ืžืงื•ื ื”-13 ื‘ืจืฉื™ืžืช 25 ื‘ืžืื™ ื”ืกืจื˜ื™ื ื”ื˜ื•ื‘ื™ื ื‘ื™ื•ืชืจ ืฉืœ ื”ืžืื” ื”-21. ื”ืกืจื˜ื™ื ืฉืœื• ื›ื•ืœืœื™ื ื ื•ืฉื ืœื ื ื•ื—, ื”ื•ืžื•ืจ ืฉื—ื•ืจ ื•ืฉื™ื ื•ื™ื™ ืžืฆื‘ ืจื•ื— ืคืชืื•ืžื™ื™ื.
ืฉื ื™ ืกืจื˜ื™ื• ื”ืจืืฉื•ื ื™ื, Danes for Bush ื•ื”ืงืคืœื” ื”ืื“ื•ืžื”, ื”ื ืกืจื˜ื™ื ื“ื•ืงื•ืžื ื˜ืจื™ื™ื ืื™ืจื•ื ื™ื™ื ืฉืฆื•ืœืžื• ื‘ืืจืฆื•ืช ื”ื‘ืจื™ืช ื•ื‘ืฆืคื•ืŸ ืงื•ืจื™ืื” ื‘ื”ืชืืžื”.

Mads Brรผgger, ื™ื•ืฆืจ ืงื•ืœื ื•ืข ื•ืžื ื—ื” ื˜ืœื•ื•ื™ื–ื™ื” ื“ื ื™ ื‘ืื•ืงื˜ื•ื‘ืจ 2011 ืคืจืกื ืกืจื˜ ืชื™ืขื•ื“ื™ ื—ื“ืฉ, The Ambassador, ืขืœ ืžืกื—ืจ ื‘ืชืืจื™ื ื“ื™ืคืœื•ืžื˜ื™ื™ื ื‘ืืคืจื™ืงื”. ื‘ืจื™ื’ืจ ื”ืชื—ื–ื” ืœืฉื’ืจื™ืจ ืœื™ื‘ืจื™ื” ืขืœ ื™ื“ื™ ืจื›ื™ืฉืช ื–ื”ื•ืช ื—ื“ืฉื” ื‘ืฉื•ืง ื”ืฉื—ื•ืจ, ื•ืœืื—ืจ ืžื›ืŸ ื”ืžืฉื™ืš ืœื—ืฉื•ืฃ ืืช ื”ืงืœื•ืช ืฉื‘ื” ืื ืฉื™ื ื‘ืขืœื™ ืชืืจื™ื ื“ื™ืคืœื•ืžื˜ื™ื™ื ื™ื›ื•ืœื™ื ืœื ืฆืœ ืืช ื”ืกื—ืจ ื‘ืื‘ื ื™ ื—ืŸ.

ื›ืชื•ืฆืื” ืžื”ื’ื™ืœื•ื™ื™ื ื‘ืกืจื˜ ื”ืชื™ืขื•ื“ื™ ื ืงื˜ื” ืžืžืฉืœืช ืœื™ื‘ืจื™ื” ื‘ืฆืขื“ื™ื ืžืฉืคื˜ื™ื™ื ื›ื“ื™ ืœื”ืขืžื™ื“ ืœื“ื™ืŸ ืืช ื‘ืจื’ืจ ื•ืืช ื”ืžืฉืชืชืคื™ื ื”ืื—ืจื™ื, ื‘ืฉืœ ื”ืžื‘ื•ื›ื” ืฉืขืฉืชื” ืขื‘ื•ื“ืชื• ืœืžื“ื™ื ื”. ืขื ื–ืืช, ื ื›ื•ืŸ ืœื™ื•ืœื™ 2012 ืœื ื”ื•ืฆื’ื” ืœืžืžืฉืœืช ื“ื ืžืจืง ื“ืจื™ืฉื” ืจืฉืžื™ืช ืœื”ืกื’ืจืชื• ืฉืœ ื‘ืจื™ื’ืจ.

ื‘ืจื™ื’ืจ ื‘ื™ื™ื ืืช Cold Case Hammarskjรถld (ื‘ื›ื•ืจื” ื‘ืคืกื˜ื™ื‘ืœ ืกืื ื“ื ืก 2019), ืฉื”ื•ื ืกืจื˜ ื“ื•ืงื•ืžื ื˜ืจื™ ืขืœ ืžื•ืชื• ืฉืœ ืžื–ื›"ืœ ื”ืื•"ื ื“ืื’ ื”ืžืจืฉืœื“ ื‘ื”ืชืจืกืงื•ืช ืžื˜ื•ืก ื‘ืฉื ืช 1961. ื‘ื™ื ื•ืืจ 2019 ื“ื™ื•ื•ื— ื‘ืจื™ื’ืจ ื‘ืฉืœื•ืฉื” ืžืืžืจื™ื ื‘"ื’ืจื“ื™ืืŸ" ืขืœ ืžืžืฆืื™ื•. .

ืชืžื•ื ื” ื—ื•ืคืฉื™ืช ืฉืœ ืคืกื˜ื™ื‘ืœ ื”ืกืจื˜ื™ื ืฉืœ ืžื™ื ื›ืŸ M\u00fcnchen ื”ืื™ืฉ ื”ืžื’ื ื˜ื™ ื”ืขืœ ืื ื•ืฉื™ ืžื™ืจื•ืกืœื‘ ืžื’ื•ืœื” ืžืฉื•ืœื‘ ืขื ืืคืœื™ืงืฆื™ื•ืช ื”ืื™ื ื˜ืจื ื˜ ืฉืœ OffiDocs


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