Maharana Amar Singh II Is Shown Two Silver Elephants

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The semi-colored drawing technique seen here, a cross between grisalle tonal drawing\u2014known in the Mughal tradition as nim qalam\u2014and watercolor, developed at Udaipur and is associated with a master painter in the service of Amar Singh II and Sangram Singh II in the early eighteenth century. The style of this anonymous artist, called the Stipple Master, remained a singular phenomenon at that court. He devoted himself exclusively to painting portraits of his patrons.

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