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LEGACY LABYRINTH: MAGAZINE ARCHITECT

Essays Verbal & Visual | Dual-Coding Design

"I make no distinction between the construction of a book [or a magazine] and the construction of a painting." \u2014Henri Matisse


Featured in the viewer above: selective examples from my professional graphic design portfolio of my work as magazine architect . . . an arena where a picture is worth at least 1000 words

Ditto for my article in the December 5, 2011, Sentinel: "Free the angel." (To read the whole article, go to the text-only version\u2014because in the viewer above, I only show the first two pages.)

The July 2005 issue of The Christian Science Journal featured my 12-page cover story, "Time Space Matter: Seeing Through the Grand Illusion," which includes my two-page lede, two-page opening essay, an assortment of sidebars, graphic treatments, and three interviews that I conducted, including an interview with renowned physicist Brian Greene. (I don't include the entire article because I seek only to show examples from my graphic design portfolio. So if you want to read the entire article, click here.) I designed the article and the cover, except for the cover's nameplate (the band at the top of the cover that shows the magazine's name). As with the Sentinel, getting a green light to update the nameplate of the Journal took a long time. But what a difference a nameplate makes! To see what I mean, compare that July 2005 cover with the July 2008 cover that I designed when I was granted full artistic control of the Journal nameplate, making it possible to aesthetically unify the interior and cover. For that July 2008 issue, which focused on Mind, one of Mary Baker Eddy's seven synonyms for God, I also wrote the cover story\u2014another good example of how something's missing if you can only read the text and not see the visuals that go with the text: "Intelligence Now."

Among other highlights, I count these two. First, the afternoon I spent in midtown Manhattan with two-time Academy Award Winning writer Horton Foote, screenwriter of To Kill A Mockingbird and Tender Mercies. I remember Horton's patience after our conversation, serenely sitting in his exquisite living room as I clicked through a whole roll of film on my Nikon, finally capturing his expression and the composition on click #34 of my 36-frame roll of film. If I could get a do-over, I'd make sure that his entire hands were in the frame. You can read the text-only version of our conversation, "Everlasting Grace," which appears in the July 2006 issue of The Christian Science Journal. And if you click here, you can see it too. Second, the afternoon I spent two-and-a-half-years later for an article in the December 2008 issue of Journal that I titled, "The Virginian"\u2014an afternoon on a ranch in the foothills of the Blue Ridge Mountains, where I interviewed Horton's good friend Academy Award winning actor Robert Duvall."

During the course of seven years in my role as the creative director aka "magazine architect," my wonderful art staff and I created for the Sentinel and Journal some 15,000 interior pages and over 425 covers. The few examples featured in the viewer above show the work as published, reaching readers with the work's spiritual import through the power of both sides of the coin of a magazine's message\u2014a magazine's dual-coding Verbal & Visual expression: a magazine's unified Words & Pictures architecture.

See more examples of my dual-coding Verbal & Visual artwork, including my essays and books.

ART IS A CHESS GAME OF FORM & STORY\u2015
WAGED ON THE BATTLEFIELD OF THE AESTHETIC & SYMBOLIC RECTANGLE:
WALL, CANVAS, PAGE, AND SCREEN

THE ARMIES OF FORM & STORY FIGHT THE WAR OF ART
THEY FIGHT FOR OUR MIND AND SOUL AND HEART

\u265e|7 ***PLEASE NOTE: In the viewer above, I only show the first four pages and the last two pages of "Road to Nairobi . . . and Back (Changed)," even though the article includes more photos by my daughter, Emily, because I encourage you to go to the TCSJ website to read the rest of the article. My purpose for showing the slides in the viewer above is to show examples of my graphic design portfolio, which illustrates how I seek to unify Words & Pictures through artistic expression. I make similar choices about how much to show of other articles that I feature in the viewer above.
_______________________________________________________________________________________
Follow these links to explore my Legacy Labyrinth . . .

MASTER LINKS | KEYS TO MY LEGACY LABYRINTH: JEF7REY HILDNER | ARCHITECT \u2014 Q.F.B.
These 11 links and other Internet Archive links will thread you through the labyrinth of my life's work\u2014
work that I hope will inspire you the way other people's work inspires me:


Henry Trucks | Madison Gray | Metaphysical Warrior | The Architect Painter

The Hero's Journey House | The Architect Painter Press


\u265e|7 In addition to the 11 main galleries in my Legacy Labyrinth\u2014indicated by the 11 "Master Links" listed above\u2014the following Internet Archive galleries display other aspects of my work:

NOTE: UNLESS OTHERWISE ATTRIBUTED, ALL ASSERTIONS ABOVE BY JEF7REY HILDNER \u2014

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