Grapes and Olives
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Grapes and Olives displays a compositional formula that Henry Roderick Newman preferred\u2014one that features a foreground dominated by objects in \u201cclose-up\u201d (here, the grapes and olives) and that offers a sweeping, long-distance view (the Gulf of Spezia in Italy). Newman\u2019s miniaturist application of watercolor paint on such a large format suggests that he sought not only to justify watercolor as an important medium, but to perpetuate Ruskinian notions linking the creation of art with moral righteousness, as expressed in the painstaking labor of the painter.Object metadata can change over time, please check the Brooklyn Museum object record for the latest information.
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