Poetics : East and West by Seshendra Sharma
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This is Seshendra Sharma's Article that appeared in his " Arc of Blood: Poet's Notebook"' in 1974. In this article Seshendra presents the history of the origins and evolution of poetics the world over in recorded history. It gives an incisive comparative analysis of Oriental and Occidental poetics . -----------
Although poetry appeared in many countries of the world from times immemorial, it was only in India that an enquiry started on the questions as to what is poetry, how it could be treated, and why it should be written. In the wake of this enquiry, a large body of scientific knowledge regarding the mechanics of poetry and its purpose developed and began expanding through the centuries. We have a plethora of evidence about this in the Vedic literature, Ramyana and Mahabharata. I don't wish to go into all that here. I shall only give one instance from Mahabharata (chapter 207 of Rajya lambha parva) Narada is described as "Paribhushaitaa vaachaam varnatah sarvatorthatah". It means Narada is also a poet. In those days, evidently, according to the scientists of poetry, a poet is one who adorned the word letter-wise and meaning-wise (i.e. word-beauty and sense-beauty). These words remind us of the great Bhamaha of the later period and his theory of Alankara. Those books of poetics are not available to us today. However from the Natyasastra of Bharata onwards, all the literature on poetics in not only available but also remains intact with a tradition of being read by scholars and taught to the students of literature (in Sanskrit).
Although poetry appeared in many countries of the world from times immemorial, it was only in India that an enquiry started on the questions as to what is poetry, how it could be treated, and why it should be written. In the wake of this enquiry, a large body of scientific knowledge regarding the mechanics of poetry and its purpose developed and began expanding through the centuries. We have a plethora of evidence about this in the Vedic literature, Ramyana and Mahabharata. I don't wish to go into all that here. I shall only give one instance from Mahabharata (chapter 207 of Rajya lambha parva) Narada is described as "Paribhushaitaa vaachaam varnatah sarvatorthatah". It means Narada is also a poet. In those days, evidently, according to the scientists of poetry, a poet is one who adorned the word letter-wise and meaning-wise (i.e. word-beauty and sense-beauty). These words remind us of the great Bhamaha of the later period and his theory of Alankara. Those books of poetics are not available to us today. However from the Natyasastra of Bharata onwards, all the literature on poetics in not only available but also remains intact with a tradition of being read by scholars and taught to the students of literature (in Sanskrit).
The scientific knowledge that developed in this country on the dialectics of poetry, falls into 6 outstanding schools. 1.The Rasa theory of Bharatha,
2.The Alankara theory of Bhamaha,
3.The Riti theory of Vamana,
4.The Dwani theory of(otherwise called Chamatkaar).Jagannatha who said that last word in poetics says "putras te jataha dhanam te dassyaami iti vaakyaartha dhijanyasya aahlaadasya na lokottaravatvam.ataha na tasmin vaakye kaavyatva prasaktihi." This means sentences like 'son is born to your' ' I am giving you money' though produce immense pleasure, have no poetry in them. Because, they do not produce that uncommon pleasure which is not the same as the pleasure derived from the ordinary worldly experience. The American poet and Harvard professor Archibald Macleish says: ' words-in-the-poem? they seem to have, what I can only call, mere weight than the same words have when we run across them in ordinary coversation, or on the page of a newspaper.'
Long after in Greece:
A.B. Keith in his history of Sanskrit Literature holds the view that Bharata?s times was before Bhasa. Bhasa is held to be a few centuries earlier than Kalidasa who is assigned 2nd century B.C. Under these circumstances it seems reasonable to infer that Bharata must have lived a few centuries before Aristotle who belongs to 4th century B.C. I am not inclined to rely on the other view, which places Bhasa before Bharata,since it is based only on the technical aspects of the plays ascribed to Bhasa,whose authorship is not free from controversy. It is also necessary to note that research scholar's have considered on sufficient evidence that the bulk of Natya Sastra of Bharata is only a compilation of portions from the earlier texts on the subject. This pushes the date of literature on poetics in India far earlier than either Aristotle, or Plato or Socrates.
In the West, Aristotle's poetics is the only book available on the subject in the past. It contains 26 small chapters. Aristotle being a genius, there are instances in the treatise when his mind touches the fringes of profound thought. However his statements are not satisfactory to the mind trained in the Indian Poetics. He says "poet is a maker of fables". What he means by poetry is simply fiction. The bulk of his work deals with dramaturgy. There is one important thing to note in the 25th chapter, which is absent in our works of poetics: it is on the principles of literary criticism. Aristotle generally agrees with Indian poeticians on the question of what constitutes the soul of poetry? In the 22nd chapter, " The greatest distinction is to be metaphorical: for, it is the only one that demands originality and is a sign of genius," he said.
